Chamber Music
Muller writes strange, fragile music for a range of ensembles including Duo Stump-Linshalm, the International Contemporary Ensemble (ICE), Third Coast Percussion Quartet, Formosa Quartet, Blue Moss Ensemble, and the Slee Sinfonietta.
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An excerpt from Inhumati, for two clarinets, flute, oboe, violin, viola, cello, and guitar, performed by Duo Stump-Linshalm:
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An excerpt from Escoria for percussion quartet, performed by the Third Coast Percussion Quartet:
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Collaborations
Recent interdisciplinary projects have included a score for the devised theater piece Nobody’s Home in collaboration with Grafted Cede Theatre Co. and Theatre Témoin, composition and sound design for Hanna Satterlee’s multimedia choreographic work ANIMAL in collaboration with sound artist Sean Clute, and music for Round the Corner Movers‘ performance piece No School Excels East Stroudsburg.
Other collaborators have included filmmakers Christopher Ernst, Vincenzo Mistretta, and G. Alan Rhodes.
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An excerpt from the score to Nobody’s Home:
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Rural Noise
The Rural Noise Ensemble is a Vermont-based collective of musicians, artists, and makers that use noise aesthetics as a critical framework for interrogating rurality. Rooted in the conviction that the rural landscape is not defined by its relationship to “nature” or “history” but exists as a dynamic contemporary periphery, this group uses scrap wood and rusty nails, interactive electronics, and participant performers to decode and disrupt the rural.
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“Rural Noise Today” (2016) in Noise and Silence Magazine.
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An excerpt from Wire for homemade instruments:
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